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Things being built, and the moment they land.

Thanks for visiting my portfolio! Here is a bit about me.

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My video letter

The work

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A short set, shot and cut end to end, across motorsport, music, sport and brand work.

Aluvers Branding

Reservoir project, start to finish

CBCo Goldy Lager, behind the scenes on the feature film Crime Casters — CBCo · Goldy Lager
On set, feature film product placement

Hidden Gem, Geelong, performance shoot with Andrea Hajenian — Hidden Gem · Geelong
A weekend shoot with my partner

Nighthawks, Collingwood, spontaneous gig shoot — Nighthawks · Collingwood
Freezing a spontaneous gig in light

Daniel Sanders, Road to Dakar, shot by Moon — Daniel Sanders, Australian 2025 Dakar winner
Shot before and after his win, with Quad Lock

Love at First Sight, Andrea Hajenian, directed and shot by Moon — Love at First Sight
Andrea Hajenian · performance video

Kitchen renovations, Willoughby & Fahy, shot by Moon — Kitchens · Interiors
Three renovations, Melbourne

Best Part, Andrea Hajenian, directed and shot by Moon — Best Part
Andrea Hajenian · performance video

Ocean Grove pump track, aerial and FPV by Moon — Aerial and FPV
Ocean Grove pump track. CASA-accredited drone.

Skatepark film by Moon — EdinPark · skate
Shot and cut on location

Milan to Biarritz, the riders — Milan to Biarritz
Quad Lock road trip, planned and shot end to end

Boxing edit by Moon — Nas · boxing
Fast-paced edit

Yanisport, Sweat and Talk, edited by Moon — Yanisport · Sweat & Talk
Edit for a creator at 200k+ followers

Orchestra back-to-school campaign, backstage film by Moon — Orchestra · campaign backstage
First video for a company, shot solo on phone and drone

The fit

How this maps to the role.

What a creative agency with a hospitality client book actually needs from a videographer, and where I already line up.

01

I Have Worked These Rooms

Hospitality is not a guess for me. I managed a cafe in South Yarra and I still work a shift at the Garden State Hotel. I know a venue at peak, where to stand so I am clear of the pass, and when a kitchen will tolerate a camera.

02

Forty Five Minutes, No Recce

Venue work rarely gives you a closed set. I shot the Garden State’s new cocktail room in a 45-minute window on a shift, one lens, available light, shotgun mic in a very loud room. The skill is getting it while service runs.

03

Short-Form, Native to Each Platform

Cut for Instagram and TikTok. Vertical, fast, built to hold attention, rather than a wide edit cropped down after the fact. Food and venue content lives or dies in the first second.

04

On Site, Solo, Own Gear

More on location than at a desk. I shoot, edit and publish every stage myself, so a brief comes back finished, no second pair of hands needed.

DJI Mini 3 Pro & DJI Avata 2 (FPV) Bilingual, English and French Full working rights, no sponsorship needed

The approach

How I work, end to end.

Give me a brief and it comes back shot, cut, captioned and scheduled. This is the loop behind the work, and the kit I run it in.

01Pre-productionBrief to shotlist - I plan the angles, the mounts and the talent around the calendar and what is trending.

02ProductionMulti-cam, drone and mount, on location. Every ratio in one shoot.

03PostResolve and Premiere. Grade once, cut per platform, EN and FR subtitles.

04DeliveryExported to spec and handed off on schedule, ready for the team to publish.

05CollaborationWork alongside producers, writers and designers, not solo, from brief to final cut.

06IterateTake feedback and reshoot or recut where the story needs it.

Built native for every feed

Vertical, square and wide, cut from one shoot - EN and FR.

About

Content is my craft. I run my own studio, Mounir Productions, shooting and editing for brands, artists and athletes across Melbourne, more often on location than at a desk. I love working with a small team too: hands-on, out and about, one story told across every format it needs.

Why this role? Your work page is almost all restaurants and cafes: Sushi Jiro, Shujinko, Sulbing, Calia, Chocolate Buddha, Harajuku Crepes. I have spent years working in venues as well as filming them, so I understand how a room runs during service and how to shoot it without getting in the way. I have my own gear and my own car, my other work is casual so I can start immediately, and I shoot and cut end to end.

Easy to hand work to. Give me a brief and it comes back shot, cut and on brand, so the calendar stays full and the work ships on time.

Real client work, not just personal projects. I shoot and cut for creators like Yanisport, at 200k+ followers, and for brands like Aluvers, who design premium louvred pergolas for outdoor living.

Tools

DaVinci Resolve, including Fusion for compositing (5y), Premiere Pro (3y), Lightroom and Photoshop (3y)

Drone

DJI Mini 3 Pro & DJI Avata 2 (FPV) · CASA-accredited (valid to 2029)

Education

Master's, Integrated Marketing Communication, Montpellier Business School

Reel

work.mounirproductions.com

Based

Melbourne, Australia

Contact

moon@mounirproductions.com

Talk about the role

Put together for TGFX Agency · Videographer